Gheorghi Arnaoudov graduated in composition with Alexander Tanev and contemporary music with Bojidar Spassov from the Bulgarian Academy of Music Pancho Vladigerov. At the same time, he attended summer courses directed by B. Ferneyhough (Great Britain) and A. Mayr (Italy) in the Academy of Fine Arts in Florence, Italy, as well as the International composers workshops with Ton de Leeuw (Holland).
His artistic career started in the  beginning  of  the   eighties.   At the same

time he did research work in the field of musical theory, concrete and electro acoustic music as well as research in the field of ancient and Far-Eastern music. He is author of scientific and theoretical articles in music, as well as of publicist and critical reviews in scientific and musical periodicals, mainly in the sphere of the contemporary arts,the aesthetics of modernism and postmodernism, communications in the music, musical semiotics and the theory of contemporary music.
He was a member of the Board of Trustees of the Society for Contemporary Music in Bulgaria (1994 - 2002), a member of the Artistic Committee of the “Musica Nova – Sofia”  International Festival of Contemporary Music, as well as of the Board of Trustees of the Union of Bulgarian Composers (1999-2002). At present, Mr. Arnaoudov teaches at the New Bulgarian University in the "Theatre" and "Music" departments, as well as at the National School of Music. In 2009 he was appointed Associate professor in Composition and Harmony
He has won many international and national awards, including the Grand Prix of the European Broadcasting Union (1985), the Golden Harp Prize from Jeunesses Musicales (1986), the Special Prize of the Union of Bulgarian Composers (1986), the Carl Maria von Weber International Prize of Music (1989), the Composer Award in honor of the National School of Music Centenary.
His music has been widely performed in Bulgaria, as well as in Australia, Denmark, France, Germany, Italy, Poland, Russia, the UK, and the USA and has represented Bulgaria at the UNESCO International Rostrum of Composers in Paris.His works have been heard at the Apolonia Art Festival (Sozopol), the Dresden Musikfest, the Lutoslawski Festival (London), MIDEM (Cannes), Mostly Modern (Dublin), and the Music Factory Festival (Bergen). His music has also been heard at Musica Nova (Sofia), Musica Viva (Detroit), Sonorities (Belfast), Sound Ways (St. Petersburg), Two Days and Two Nights (Odessa), the Varna Summer Festival, and Wien Modern.As a composer with a large artistic activity, Georgi Arnaoudov is author of a great many symphonic, chamber, vocal and choral works, a lot of compositions for piano, stage works, choreographic and theatrical music, sound installations. His antecedents can be found in Russian Scriabin, the French mystic/modernist Messiaen, the Franco-American Var?se and, more recently, in the work of the Pole Penderecki and Estonian Arvo Paert. The influence of composers like Webern and Morton Feldman can perhaps also be felt in the lack of any kind of conventional process or development. This is music of stasis, a kind of intense minimalism that tells no conventional stories but rather meditates on an idea.
Gheorghi Arnaoudov’s works have been released on many CDs under the labels Gega New (Bulgaria) and Concord (USA).